Exposed

7-12 April 2026
L’AiR Arts
Atelier 11 Cité Falguière 75015 Paris

Exhibition with Estèla Alliaud, Margot Anquez Bariseau, Miriam Cahn, John De Andrea, Julia Declaire, Oriane Déchery, Sylvie Fanchon, Quentin Germain, Gelitin, Sido Lansari, Asja Mijović, Marilena Pelosi, Ekaterina Shcherbakova, Toiletpaper Magazine, Lora Zyuzina

Exposed takes place in the historic Atelier 11 of Cité Falguière in Paris, one of the last surviving studios of the Montparnasse artistic community. Within these walls, artists such as Amedeo Modigliani, Tsuguharu Foujita, and Chaïm Soutine helped define a modern canon of representing the human body, in which the nude, most often female, appeared reclining, seated, or accompanied by an object. These works continued to shape figuration in visual art and established the body as both image and object of the gaze. Exposed returns to this site to reconsider what it means for a body to appear today, both as an image and as an object of artistic creation.

The exhibition approaches the body as active, visible, and present, shaped by material, context, and perception rather than by predefined poses or hierarchies. Exposure is framed as an act of agency rather than display. Bodies, gestures, and interventions occupy space on their own terms, engaging with history and memory.

Artists of different generations, geographies, and degrees of institutional visibility contribute to this dialogue.

Exposed does not present a fixed narrative or a single perspective. Instead, it emphasizes multiplicity, agency, and the active presence of bodies in dialogue with history, material, and space, suggesting a reconfigured artistic condition of bodily presence.


Special thanks: Perrotin, Galerie Jocelyn Wolff, christian berst—art brut, Galerie Vallois, Galerie Maubert, Damiani Books.




Room Service

21 — 24 October 2025
Hotel La Louisiane, Paris 75006

Exhibition with Tina Atami, Thomas Buswell, Julia Declaire, Olivier Mosset, Boryana Petkova, Malù dalla Piccola, Ekaterina Shcherbakova, Morgane Tschiember, Sergio Verastegui, Louis Verret, Zoe Williams

This is not a room.
It is a line cut open, a movability of walls, a corridor without exit, a mirror without reflection.

We are nomads jusqu’à l’épuisement, drifting in nonational repetition: check-in, check-out, again and again.

Bodies sans fin breathe and expire en continue, erasing the calendar: dayless, nightless. They move, they unmove, they erase.

The bed is not a bed but a stage of transfiguration.


Sheets remember your skin, then forget it.

Moving you, moving me,
Being here, not any more.

This is Room Service:

delivered late, unordered, unwrapped, ghosts included.

Never yours to keep.

Performances program

22 Oct
17:00 - Louis Verret, J’écrivais Adriana (au début du déclin du printemps), 40 min, performance in French

23 Oct
20:00 - Ekaterina Shcherbakova and Morgane Tschiember, Égoïste, 10 min

24 Oct
20:00 - Tina Atami, The Guest N1 : Hot_Elle, 10 min

Special thanks to:
Ciaccia Levi
Galerie Suzanne Tarasieve
Gilles Drouault/Galerie des multiples



Apples and Strange Presidents

30 March – 6 April 2025
Private mansion, 75002 Paris

Exhibition with Margot Anquez Bariseau, Amandine Arcelli, Yasmina Benabderrahmane, Amel Bennys, Io Burgard, Alkis Boutlis, Damien Caccia, Julia Declaire, Darius Dolatyari-Dolatdoust, Léa Dumayet, Angèle Guerre, Mariana Hahn, Fanny Irina, Ángela Jiménez Durán, Ange Kayifa, Jürgen Klauke, Dimitri Mallet, Zahra Mansoor, Boryana Petkova, Malù dalla Piccola, Terry Rodgers, Ugo Sébastião, Ekaterina Shcherbakova, Isadora Soares Belletti, Morgane Tschiember, and Sergio Verastegui.

Apples and Strange Presidents is a contemporary art exhibition exploring the intersections of political power and bodily autonomy. Drawing from the apple’s symbolic weight—temptation, knowledge, sustenance, and control—the exhibition juxtaposes it with the surreal, sometimes absurd nature of political leadership.

How does power take shape? How do gestures, rituals, and spoken words influence our perception of those who lead and those who follow? Through performance, sculpture, video, and installation, artists interrogate the ways political bodies (both literal and institutional) exert influence over personal bodies. The exhibition examines the grotesque, theatrical, and often bizarre nature of authority, questioning how power manifests physically—through speech, gesture, consumption, and discipline.

Balancing irony, satire, and visual storytelling, Apples and Strange Presidents offers a space for reflection on the ways we navigate systems of influence. This exhibition serves as a space for both personal and political exploration, where each facet achieves its own form of excess.

Special thanks to:
Lalique
Galerie Suzanne Tarasieve